Posted on March 1, 2010 at sometime around 5:40 pm
For Fans of: Jason Mraz, John Mayer, Mat Kearney, Sufjan Stevens
To stream his music seamlessly, check out his website here. The first song that is currently listed on the music player is “All Creatures” - and it is the best arrangement I’ve ever heard of that song.
Below are a bunch of live performances. Anyone who can perform that well live is generally going to produce some quality records, and Josh is no exception. His use of language is impressive and his exploration of faith questions is interesting, rather than simply straightforward. Plus, as is the criteria for all of my music monday picks, it simply sounds great.
I’m not going to write a full review this week - just let you enjoy some good music.
Posted on February 15, 2010 at sometime around 2:41 pm
In a world filled with singles, the minimalist, rock group from Iceland known as Sigur Rós does not just make songs - they make albums. If you have not heard the ethereal sounds of Sigur Rós’ music before, you are in for a relaxing and exciting treat today, my friends. In English, the name is pronounced /ˈsɪɡər ˈrɒs/ (which didn’t help me any) or you can hear it pronounced for you here. When you begin to hear the music, you notice that the falsetto voice of lead singer Jónsi Birgisson is difficult to understand. This is because he is speaking “hopelandic”, which is an artist-created language Birgisson uses to blend his vocals as an instrument, as opposed to the typical use of vocals to communicate a message in a known language. He describes this concept below:
what language does jónsi sing in?
on “von, ágætis byrjun” and “takk”, jónsi sang most songs in icelandic but a few of the songs were sung in ‘hopelandic’. all of the vocals are, however, in hopelandic. hopelandic (vonlenska in icelandic) is the ‘invented language’ in which jónsi sings before lyrics are written to the vocals. it’s of course not an actual language by definition (no vocabulary, grammar, etc.), it’s rather a form of gibberish vocals that fits to the music and acts as another instrument. jónsi likens it with what singers sometimes do when they’ve decided on the melody but haven’t written the lyrics yet. many languages were considered to be used, including english, but they decided on hopelandic. hopelandic (vonlenska) got its name from first song which jónsi sang it on, hope (von). tracks 7-9 on takk… are in hopelandic.
The creativity of the band is unbelievable. Listening to any of their albums is strange, yet inspiring. Their orchestration and ambient overdrives are a delight.
Enough talk - just take a listen and buy “Takk…” or “Með suð í eyrum við spilum endalaust” (translated: ”With a Buzz in Our Ears We Play Endlessly”). It will make your heart happy, regardless of how your Valentine’s Day was.
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(Just listen - video is not as important…)
Sadly (for us as listeners), Sigur Rós announced in January that they have decided to take a break and spend time with their family and pursue other individual endeavors for now. Sigur Rós’ brilliant music, however, still remains.
Let me know what you think. Too weird, or a joy to the ears?
Posted on January 4, 2010 at sometime around 11:45 pm
I’ve decided that I am going to attempt to recommend one indie-ish artist (which I’m defining as not overly well known rather than not being signed to a major label) every single Monday. In the twitter world (a world unto itself), there is a popular hashtag known as #MusicMonday, and since I’m a fan of sharing my love of music, I will be using Monday’s as the day I post these recommendations. This is also conveniently my day off from work each week.
With this week’s first recommendation, we start with Death Cab for Cutie. DCFC are a Grammy-nominated, alternative group, so they are pretty well known at this point, but their gentle, melodic sounds are still unknown to many. Death Cab’s frontman, Ben Gibbard, is one of the greatest songwriters of our time. His creative take on love and emotional poetics combined with a creative rock sound makes for a good time on the ears. Rolling Stone reviewed their album Transatlanticism and accurately assessed the songs as “melodic” and “melancholy” and “about feeling both smart and confused, hopelessly romantic but wary of love.” While describing the reasons for writing music, Gibbard said, “because life is very short, because there’s only a brief period of time to really connect with people…it’s important to recognize that.” Gibbard songs help us explore love, and what better thing could there be to explore?
Enjoy.
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Below is their song “Little Bribes”. The video was made by a fan (and is actually my favorite video of the ones shown below).
“I Will Possess Your Heart” - Death Cab’s most famous single nominated for “Best Alternative Song”. This has a long instrumental introduction, but make sure you make it to the lyrics at the 4:41 mark.
Best lyric: “How I wish you could see the potential, the potential of you and me…”
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The song to ring the New Year with:
“There’d be no distance that could hold us back.”
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Happy New Year. Here’s to lots of great music this upcoming year.
Posted on October 19, 2009 at sometime around 7:29 pm
Jesus/Church Blogs
Brian McLaren: Liberal author, speaker, and activist for the Kingdom of God
Church Crunch: Technological/Web Thoughts for improving and advancing the mission of Jesus of Nazareth.
Church Matters: Helpful Biblical ideas for the local church.
Church Relevance: Free online resource created to help train ministries how to more effectively reach people.
Dan Kimball: California pastor and frequent blogger on the things of Jesus of Nazareth.
Donald Miller: Story teller. Progressive Christian thinker. Author of “Blue Like Jazz”.
LifeChurch.tv: Swerve’s purpose (LifeChurch.tv’s blog) is to share and learn from leaders who are passionate about reaching this world for Christ.
Matthew Paul Turner (Jesus Needs New PR): “The Christian Jon Stewart”, frequent blogger, author of “Churched: One Kid’s Journey Toward God Despite a Holy Mess”.
Michael Hyatt: CEO of Thomas Nelson Publishers, the largest Christian publishing company
Out of Ur: Top Christian blog for ministry leaders
Pete Wilson: Lead pastor of Cross Point Church in Nashville, TN.
Peter Rollins: Emerging teacher who just moved to NYC in late 2009. Author of “How (Not) to Speak of God”.
Ragamuffin Soul: Talented musician, teacher, and author, Carlos Whittaker. An authentic, real Christian.
Rainn Wilson’s Soul Pancake: Dwight from “The Office” has a team that seeks to “de-lamify” God and faith conversations
Relevant Magazine: Awesome magazine that “covers God, life, and progressive culture”. Great articles.
Rob Bell: Author and pastor. Writes great books and speaks even better sermons. Founder of Mars Hill Church in Grand Rapids, MI.
World Vision: Huge Christian humanitarian charity organization.
Friends
A Family Without Borders: Friends from Minnesota who share their stories of adopting two children from Ethiopia.
Chris Flinchbaugh: Progressive writer, musician, and leader of my former house church.
Jen Siegrist: Friend from Lancaster who creates free music mixes that are always a good time.
Katie Klos: Infrequent blogger, but good friend from Geneva College and good writings on “Thoughts. Struggle. Faith.”
Rhys Searles: Friend from college who is a youth pastor in Nashville, TN.
Shawn Anthony: My former pastor, incredible writer/leader, frequent blogger on the Kingdom of God.
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*Note: Just because someone is listed on this blog roll does not mean I endorse everything they say. I read a variety of readings from a variety of people on a variety of topics. I also frequent a lot of other sites, but thought this could be helpful for people who were interested in some of my influences.
Posted on October 14, 2009 at sometime around 1:27 am
Siggy’s Rating: 7/7 stars!
I should probably start by letting readers know that most worship music I find overusing church-lingo cliches, poorly mixed music, and average vocalists. Pretty much all the basic parts of a worship recording (vocalists, musicians, engineer, producer, composition of the songs, etc.) could be easily scrutinized by any huge fan of quality music. So yes, I come into worship music with a bit of snobbishness and cynicism. However, I also have a heart that loves to worship God through music and am therefore often left with a dichotomy. “This sounds awful, but it is all we’ve got to be singing directly to God or about His character…”.
Now that we’ve got my personal background out of the way, we move to actually exploring David Crowder*Band’s newest album, titled “Church Music”. This is not a typical worship album. DC*B incorporates large amounts of creative electronic beats with progressive rock that makes for not only an incredible worship album, but an enjoyable listen. The ethereal and ambient sounds fill out a genre that normally leaves listeners empty. With most worship songs having a clear start and finish, Church Music actually flows together like an entire album should. Seriously. I do not remember listening to a worship album on repeat and Crowder has delivered an album that actually dives into some deep lyrical content combined with electronic rock that makes you dance like we hear that David of the Old Testament did back in 1000 B.C. With the use of creative, yet not bizarre analogies, Crowder pulls the listener in for an hour and 13 minute wave of praising and calling out to the Messiah. But, enough reading of a review, check out this video of pictures I made of one of my favorite songs from the album (lyrics below):
SMS (Send Me a Sign) Lyrics by DC*B
(Verse 1)
Send me a sign
A hint, a whisper
Throw me a line
‘Cause I am listening
Come break the quiet
Breathe your awakening
Bring me to light
‘Cause I am fading
Surround me with the rush of angel’s wings
(Chorus 1)
Shine Your light so I can see You
Pull me up, I need to be near You
Hold me, I need to feel loved
Can You overcome this heart that’s overcome?
(Verse 2)
You sent a sign
The hint, a whisper
Human, divine
Heaven is listening
Death laid low
Quiet and in the night a stirring
All around the rush of angels
(Bridge)
O the wonder of the greatest love has come
(Chorus 2)
Shine Your light so all can see it
Lifted up, ’cause the whole world needs it
Love has come, what joy to hear it
He has overcome, He has overcome
The beauty in the poetry of these lyrics combined with the emotive, growing music is truly moving. Heaven is indeed listening to the “human/divine”. God (100% divine) becoming a mere baby (100% man). The Love has come and what a joy it is to hear it. It’s lyrics like these that keep the focus on God himself and does not stray to being completely outside of the “worship” genre, but also moves it past the overuse of repetitive words that people only understand if they have been in church for longer than 5 years.
Criticism/Challenge to the Crowder*Band:
The common critique I hear of Crowder’s music is that it is “un-singable for average congregations”. Now, I have often defended Crowder’s music and advocated that it can work in a corporate worship setting, but this latest album takes it to a different level. The electronic driven sounds with many different drum sounds and layered keyboard parts makes it difficult for an acoustic guitar player with volunteer musicians to try and reproduce. So, these are my challenges to each and every worship leader, but is specifically to Crowder since I believe he is actually progressive and innovative enough to consider it:
1. “How to Videos” of many of the songs in an acoustical form. I like the videos of the stories from places like Worship Together, but I would like to hear many of the songs done with David and his acoustic guitar or sitting at a piano completely stripped down. Not only that, but a how-to video. I would even be so bold as to ask for it in multiple keys (for those of us who are not tenors like every popular worship leader out there…). That, my friends, would be awesome.
2. Release of the drum/electronic tracks from Logic (the software the band uses to record their albums with) on your personal website so that worship leaders can try and incorporate it the same way that you have created into their own weekly services. Monster bands like Nine Inch Nails and Radiohead have done this in the “secular” realm, so wouldn’t it be incredible to do it for worship music? You could either release it for free or charge a low rate for local worship leaders to be able to take their computer and play to it. This would also allow fans to re-create your music and do some incredible remixes. This means more amazing worship music, as well as a way for your fans to be able to connect with you on a whole new level. Can you imagine if all the Christian artists released their tracks and allowed joe-shmoe to do mash-ups? There would be all sorts of awfulness all over youtube, but at the same time could result in some incredible progress in the Christian market.
3. Allow the album to be continuously streamed online for free. This would allow people who would never buy your album (or who are not of the same Christian faith expression) to be able to hear the album at any time. Also, most people like to “try before they buy” if possible and may be a way for fans to check out your great album before forking over the cash. No one wants to hear a 30 second clip. That’s what I label “annoying”.
4. Get the price down to $9.99 on iTunes. No one wants to go searching around on the internet to find it for a lower price (although, the .mp3’s are available at Amazon for $8.99 right now for those interested). The price of the actual physical album resulted in over $18 bucks after shipping and taxes, but that price was redeemed when I got a magazine, sticker, the lyrics, etc. Actually, I’ve already bought the album again for a friend. I know that the actual band does not set this price, but the labels need to drop the price down.
Analysis of the Title: “Church Music”
The question that comes to most people’s mind when they hear, “Church Music” immediately questions, “Well…what is church music?” Crowder answers this by saying that it is about the church (it’s people) being able to worship and connect with the Lord and Savior. I think the album title is so over-the-top straightforward that it works. In fact, the band used all kinds of creative marketing techniques to get the album all the way up to #11 on the top 200 Billboard. Yeah…they were the eleventh best selling album that week! They released 4 “Rockumentarys” in a very “Spinal Tap”-type manner that crack me up. You can see or click to an external link below:
John Mark McMillan allowed David Crowder to change the lyrics to a really great worship song that blew up in most megachurches across the nation. The song centers on the idea of God’s ridiculous love for us and how is “love is like a hurricane”. You can read John’s words here, but essentially Crowder asked John if he could re-write the words of the bridge from “Heaven meets Earth like a sloppy wet kiss…” to “Heaven meets Earth like an unforeseen kiss”. First off, I heard the McMillan version of the song and completely wrote it off. I even made fun of it as having just gross imagery with the sloppy, wet kiss. I love the concept he is getting at, that the Kingdom of God and the Kingdom of Earth colliding is completely messy. I completely agree, but just could not sing words like that and not think of two middle-schoolers having their first kiss and accidentally sucking the face of one another. But that’s just me. When Crowder changed that one phrase, I gave the song a second chance and now I find it much easier to connect with God.
The lyrics of this song remind me of the start of Rob Bell’s latest book, Drops Like Stars, where Rob tells a story about a mother and father whose two son’s wives are pregnant. One of their sons has a beautiful, healthy baby while the other has a miscarriage. The point of this unfortunate tale is that we are all walking down hallways just like the one in that hospital which is full of “Light and Shadows” (aka good and evil). The lyrics that Crowder sings, “We will not fear, we will remember…the cross” is a huge reminder to remember the story that God has given us (the Bible) and that we can continue to write today as God meets us right here. Right now. The Bible tells us that we can actually converse directly with the Creator of the Universe. I’m “resting in the shadow of the cross”.
Life is full of light and shadow
O the joy and O the sorrow
O the sorrow
And yet will He bring
Dark to light
And yet will He bring
Day from night
When the shadows fall on us
We will not fear
We will remember
When darkness falls on us
We will not fear
We will remember
When all seems lost
When we’re thrown and we’re tossed
We remember the cost
We’re resting in the
Shadow of the cross
Funny and cute video of a young child singing, “How He Loves”:
Thanks for a great album, Crowder Band, as well as your joyous spirits. It is great to see you doing great Kingdom work while having fun. To the fans of worship music, I advocate a purchase of this album pronto.
Posted on June 25, 2009 at sometime around 2:21 pm
Influences/Sounds Like: Colbie Caillat, Sara Bareilles, Ingrid Michaelson, Fiona Apple, Sixpence None the Richer, Aimee Mann, Regina Spektor, Over the Rhine, Adele.
Siggy’s Rating: 7/7 stars!
I don’t know where to even start in reviewing a talent like Tirzah. Her pop/folk style is so contagious to listen to, but that voice…that voice of hers is just unbelievable. Her lyrics on life and love give listeners something to identify with. From the creative love ballad in “Strawberry Hope”, (”’cause in your eyes I know that we’re gonna make it, make it through somehow”) to the challenge to her love in her first single “Flight” (”Now I have to say there’s things in the way of me letting go, but you, you take me by the hand, help me understand…I am waiting for you to be my flight”), Tirzah brings melodies that always leave us humming throughout the rest of our day. Of course, every first EP from an artist needs to have a good break up song and “Over” gives us just that (”You traded what you had for ease, no more responsibility…but I know you couldn’t care less, cause you won’t even clean up your mess, and I just need you to know, that I’m completely letting you go. This thing is over.”). [Note to humans: never date an artist or autobiographical writer or you will find yourself published in places you never wanted].
I personally helped engineer some of the songs and am Tirzah’s manager, so of course I am going to be bias and think everything she touches is gold. If you are looking to get her music, click on the icons below. You can also go to NoiseTrade for a limited time and “Pay What You Want”. That’s right! You can pay whatever you would like for the EP or (even better) you can get the EP for free! All you have to do is click on the widget below and tell 5 of your friends about Tirzah. This way she can continue to let more and more people hear her music, which is Tirzah’s goal. Of course, a little money thrown her way couldn’t hurt a starving artist…
Posted on June 19, 2009 at sometime around 10:06 am
Regina Spektor, a folk pianist with traces of hip hop, classical, and jazz all rolled into one, has the voice of a goddess. She is releasing her new album entitled, “Far” on June 23rd (yes…4 days!) which can be streamed now at Regina’s Myspace. I am definitely digging the album after my first few listens through and will be purchasing it on Tuesday. Also, below is her new single called “Laughing With” which has some very nice speculations into who God is and who God is not. I could pull out a ton of truth out of this song, but I will leave the song speak for itself rather than share my thoughts. Feel free to share yours though!
Lyrics:
No one laughs at God in a hospital
No one laughs at God in a war
No one’s laughing at God
When they’re starving or freezing or so very poor
No one laughs at God when the doctor calls
After some routine tests
No one’s laughing at God
when it’s gotten real late
And their kid’s not back from that party yet
No one laughs at God when their airplane
Starts to uncontrollably shake
No one’s laughing at God
When they see the one they love hand in hand
with someone else and they hope that they’re mistaken
No one laughs at God when the cops knock on their door
And they say “We’ve got some bad new, sir,”
No one’s laughing at God
When there’s a famine, fire or flood
But God can be funny
At a cocktail party while listening to a good God-themed joke or
When the crazies say he hates us
and they get so red in the head
You think that they’re about to choke
God can be funny
When told he’ll give you money if you just pray the right way
And when presented like a genie
Who does magic like Houdini
Or grants wishes like Jiminy Cricket and Santa Claus
God can be so hilarious
Ha ha, ha ha
No one laughs at God in a hospital
No one laughs at God in a war
No one’s laughing at God
when they’ve lost all they got
And they don’t know what for
No one laughs at God on the day they realize
that the last sight they’ll ever see is a pair of hateful eyes
No one’s laughing at God
When they’re saying their goodbyes
But God can be funny
At a cocktail party while listening to a good God-themed joke or
When the crazies say he hates us and they get so red in the head
you think that they’re about to choke
God can be funny
When told he’ll give you money if you just pray the right way
And when presented like a genie
Who does magic like Houdini
Or grants wishes like Jiminy Cricket and Santa Claus
God can be so hilarious
No one laughs at God in a hospital
No one laughs at God in a war
(repeat)
No one’s laughing at God in a hospital
No one’s laughing at God in a war
No one’s laughing at God
When they’re starving or freezing or so very poor
No one’s laughing at God
No one’s laughing at God
No one’s laughing at God